{"id":123853,"date":"2026-04-28T10:03:02","date_gmt":"2026-04-28T08:03:02","guid":{"rendered":"https:\/\/renneritalia.com\/?p=123853"},"modified":"2026-04-28T16:11:55","modified_gmt":"2026-04-28T14:11:55","slug":"salone-2026-le-design-revient-au-reel-matieres-imperfections-et-hierarchies-de-la-couleur","status":"publish","type":"post","link":"https:\/\/renneritalia.com\/fr\/salone-2026-le-design-revient-au-reel-matieres-imperfections-et-hierarchies-de-la-couleur\/","title":{"rendered":"Salone 2026 : le design revient au r\u00e9el \u2014 mati\u00e8res, imperfections et hi\u00e9rarchies de la couleur"},"content":{"rendered":"\t\t
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Le Salone del Mobile 2026 met en lumi\u00e8re un retour \u00e0 un design centr\u00e9 sur la mati\u00e8re. Dans un contexte international complexe, marqu\u00e9 par des instabilit\u00e9s \u00e9conomiques et des transformations profondes de l\u2019habitat, les th\u00e8mes dominants ont \u00e9t\u00e9 ceux de la substance, de la durabilit\u00e9 et de la soutenabilit\u00e9. Le claim \u00ab A Matter of Salone \u00bb<\/em> r\u00e9sume ce passage par un jeu de mots : la mati\u00e8re comme \u00ab ce qui compte \u00bb. La mati\u00e8re comme origine, mais aussi comme transformation.<\/p>

Dans cette perspective, le design 2026 est interpr\u00e9t\u00e9 comme un processus qui traduit la mati\u00e8re en valeur. Ce n\u2019est plus la forme qui guide, mais la substance. Ce renversement se refl\u00e8te dans une narration o\u00f9 chaque choix de mat\u00e9riau assume une fonction s\u00e9mantique.<\/p>

Dans ce contexte, les vernis jouent un r\u00f4le fondamental : r\u00e9v\u00e9ler le sens de la mati\u00e8re. Il ne s\u2019agit plus de couvrir ou d\u2019uniformiser, mais d\u2019interpr\u00e9ter \u2014 valoriser le pore, pr\u00e9server la naturalit\u00e9 et garantir des performances durables. Le projet contemporain exige des vernis intelligents : capables de prot\u00e9ger sans masquer, de durer et de dialoguer avec des mat\u00e9riaux h\u00e9t\u00e9rog\u00e8nes.<\/p>

Cette vision est d\u00e9velopp\u00e9e dans le rapport r\u00e9alis\u00e9 dans le cadre du projet Aesthetics de Renner Italia.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Des surfaces qui racontent : le retour de l\u2019imperfection<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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L\u2019un des aspects les plus \u00e9vidents de l\u2019\u00e9dition 2026 est la mise en sc\u00e8ne explicite de la mati\u00e8re.<\/p>

Le b\u00e9ton apparent introduit une base architecturale neutre, capable d\u2019absorber la lumi\u00e8re et de d\u00e9finir les volumes avec une pr\u00e9sence quasi structurelle. Sur ce fond, pierres naturelles et marbres sont pouss\u00e9s vers une dimension plus conceptuelle : non plus de simples surfaces de valeur, mais de v\u00e9ritables plans fonctionnels, notamment en cuisine, o\u00f9 ils deviennent continus et performants. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Les m\u00e9taux oxyd\u00e9s, mats et volontairement ray\u00e9s \u2014 directement ou par patine \u2014 restent des protagonistes. Ils apparaissent \u00e0 la fois comme \u00e9l\u00e9ments principaux de mobilier de rangement et comme couches interm\u00e9diaires, servant \u00e0 relier des mat\u00e9riaux diff\u00e9rents ou \u00e0 construire des d\u00e9tails de connexion visibles et assum\u00e9s.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Le verre, dans ses versions textur\u00e9es, martel\u00e9es ou trait\u00e9es avec des finitions m\u00e9talliques, perd sa neutralit\u00e9 traditionnelle pour acqu\u00e9rir une densit\u00e9 visuelle, devenant une surface active et non plus transparente.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dans ce syst\u00e8me, le bois n\u2019est pas isol\u00e9 : il entre en relation avec chaque autre mat\u00e9riau, contribuant \u00e0 un \u00e9quilibre entre masses visuelles, r\u00e9flexions et absorptions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Le bois : mati\u00e8re technique et \u00e9motionnelle<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dans cette grammaire, le bois s\u2019impose comme protagoniste absolu \u2014 non par nostalgie, mais pour sa capacit\u00e9 unique \u00e0 conjuguer dimension technologique et \u00e9motionnelle.<\/p>

Les essences les plus pr\u00e9sentes \u2014 ch\u00eane, noyer canaletto, noyer am\u00e9ricain \u2014 sont travaill\u00e9es de mani\u00e8re \u00e0 pr\u00e9server leur naturalit\u00e9 : pores ouverts, finitions transparentes, faible brillance. Le veinage est central, d\u2019o\u00f9 l\u2019usage g\u00e9n\u00e9ralis\u00e9 de finitions ultra mates. Le fr\u00eane est souvent teint\u00e9 en tons tabac, noir ou gris fonc\u00e9.<\/p>

Le bois remplit une fonction strat\u00e9gique.
D\u2019une part, il introduit chaleur et continuit\u00e9 naturelle dans des environnements de plus en plus technologiques. D\u2019autre part, il \u00e9tablit une relation visuelle et tactile avec l\u2019utilisateur, ramenant le projet \u00e0 une \u00e9chelle plus humaine.<\/p>

En synth\u00e8se : innovation, oui \u2014 mais ancr\u00e9e dans un \u00e9quilibre naturel.<\/p>

Les tables pr\u00e9sentent souvent des compositions hybrides, o\u00f9 le bois dialogue avec la pierre et le m\u00e9tal. Ce dernier appara\u00eet fr\u00e9quemment comme \u00e9l\u00e9ment interm\u00e9diaire \u2014 une sorte de cadre ou de bande p\u00e9riph\u00e9rique qui valorise le bois. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dans les assises, le bois retrouve une dimension presque arch\u00e9typale, devenant structure dominante et explicitement assum\u00e9e.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Le bambou appara\u00eet ponctuellement comme mat\u00e9riau r\u00e9sistant, durable et \u00e0 l\u2019esth\u00e9tique tress\u00e9e audacieuse.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Le bois joue \u00e9galement un r\u00f4le central dans la salle de bain, r\u00e9int\u00e9grant cet espace au c\u0153ur du syst\u00e8me domestique.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Neocraft : l\u2019artisanat comme syst\u00e8me \u00e9volu\u00e9<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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L\u2019un des th\u00e8mes majeurs du Salone 2026 est le d\u00e9veloppement du Neocraft<\/em> : une approche contemporaine qui fusionne artisanat traditionnel et technologies avanc\u00e9es, valorisant l\u2019imperfection, la durabilit\u00e9 et l\u2019unicit\u00e9.<\/p>

Le Neocraft se positionne comme une r\u00e9ponse \u00e9thique \u00e0 l\u2019homog\u00e9n\u00e9isation industrielle.<\/p>

Ce concept traverse toute la manifestation, mais trouve une expression particuli\u00e8re au Salone Satellite, d\u00e9di\u00e9 aux designers \u00e9mergents de moins de 35 ans. On y observe des formes organiques, souvent biomorphiques : volumes ovo\u00efdes, surfaces continues, structures en bois \u00e0 veinage visible, combin\u00e9s \u00e0 des inserts chrom\u00e9s ou r\u00e9fl\u00e9chissants. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Il ne s\u2019agit pas d\u2019un contraste, mais d\u2019une coexistence entre naturel et artificiel.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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EuroCucina : la technologie s\u2019efface<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dans l\u2019univers de la cuisine, une tendance claire se confirme : la technologie ne dispara\u00eet pas \u2014 elle devient invisible.<\/p>

Les surfaces sont continues, souvent en pierre naturelle. Les syst\u00e8mes d\u2019ouverture sont int\u00e9gr\u00e9s. La domotique est pr\u00e9sente mais non ostentatoire. L\u2019objectif est de lib\u00e9rer l\u2019espace, de le rendre plus fluide et plus domestique. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dans ce contexte, le bois joue un r\u00f4le d\u00e9terminant. Il filtre la complexit\u00e9 technologique, la rend acceptable, et introduit une dimension \u00e9motionnelle dans un environnement fortement technique.<\/p>

Un minimalisme conscient s\u2019affirme : chaque \u00e9l\u00e9ment a une fonction pr\u00e9cise. Rien n\u2019est superflu. Rien n\u2019est purement d\u00e9coratif.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Nuancier des couleurs laqu\u00e9es<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Couleur : \u00e9quilibre entre base neutre et accents affirm\u00e9s<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La palette chromatique 2026 du Salone de Milan repose sur une base de neutres chauds : greige, cr\u00e8me, \u00e9cru et tons corde d\u00e9finissent des environnements continus et sophistiqu\u00e9s, capables de valoriser la mati\u00e8re.<\/p>

Sur ce fond \u00e9mergent des accents plus satur\u00e9s et affirm\u00e9s : orange br\u00fbl\u00e9 vert olive, bleu marine, terracotta et luminous blue utilis\u00e9s comme points focaux.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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La couleur structure l\u2019espace. Elle cr\u00e9e des hi\u00e9rarchies, oriente le regard et g\u00e9n\u00e8re des tensions contr\u00f4l\u00e9es.<\/p>

Les associations reposent sur des contrastes harmonieux : terracotta et vert sauge, bleu et orange br\u00fbl\u00e9. L\u2019effet reste \u00e9quilibr\u00e9, jamais dissonant. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Du point de vue des surfaces, cela implique une gestion plus sophistiqu\u00e9e des finitions : opacit\u00e9, profondeur chromatique et contr\u00f4le du brillant deviennent des variables de projet.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Int\u00e9rieur et ext\u00e9rieur : un syst\u00e8me unique<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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En 2026, la distinction entre int\u00e9rieur et ext\u00e9rieur est d\u00e9finitivement d\u00e9pass\u00e9e. Il ne s\u2019agit plus de dialogue, mais de continuit\u00e9.<\/p>

Les langages formels sont coh\u00e9rents, les mat\u00e9riaux compatibles, les palettes chromatiques align\u00e9es. Les espaces ext\u00e9rieurs adoptent des formes douces, des surfaces tactiles et des couleurs naturelles. L\u2019ext\u00e9rieur devient une extension de l\u2019habitat.<\/p>

Note stylistique : les influences marines et une esth\u00e9tique artisanale gagnent en pr\u00e9sence. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Les chiffres confirment le r\u00f4le du Salone<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Avec plus de 316 000 visiteurs et une forte pr\u00e9sence internationale \u2014 stable \u00e0 68 % \u2014 l\u2019\u00e9dition 2026 confirme le Salone de Milan comme plateforme strat\u00e9gique reliant industrie, design et march\u00e9.<\/p>

En six jours, un \u00e9cosyst\u00e8me \u00e0 haute densit\u00e9 relationnelle s\u2019est activ\u00e9, r\u00e9unissant 1 900 marques et une cha\u00eene globale compos\u00e9e d\u2019acheteurs, d\u2019investisseurs, de concepteurs et de m\u00e9dias.<\/p>

Particuli\u00e8rement notable : le r\u00e9\u00e9quilibrage g\u00e9ographique de la demande. \u00c0 la solidit\u00e9 europ\u00e9enne s\u2019ajoute une vitalit\u00e9 croissante des march\u00e9s extra-UE, notamment les \u00c9tats-Unis, le Royaume-Uni, le Canada, le Mexique, le Br\u00e9sil et la Cor\u00e9e du Sud.<\/p>

Dans ce contexte, des secteurs comme la salle de bain et la cuisine se confirment comme des n\u0153uds strat\u00e9giques, o\u00f9 innovation technologique et qualit\u00e9 industrielle rencontrent l\u2019\u00e9volution des modes de vie contemporains.<\/p>

Le Salone 2026 renvoie ainsi l\u2019image d\u2019un secteur r\u00e9actif, comp\u00e9titif et de plus en plus interconnect\u00e9.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\n\t\t\t\n\t\t\t\t\t\tLes images de ce reportage ont \u00e9t\u00e9 g\u00e9n\u00e9r\u00e9es par l'IA<\/span>\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Le Salone 2026 marque un changement de paradigme : le design revient \u00e0 la mati\u00e8re, \u00e0 son authenticit\u00e9 et \u00e0 sa capacit\u00e9 \u00e0 g\u00e9n\u00e9rer de la valeur. Surfaces imparfaites, bois naturels et palettes sophistiqu\u00e9es traduisent un nouvel \u00e9quilibre entre technologie et dimension humaine. Dans ce contexte, les vernis \u00e9voluent : d\u2019une simple couverture \u00e0 un v\u00e9ritable outil de projet qui interpr\u00e8te et valorise.<\/p>\n","protected":false},"author":7,"featured_media":123911,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-123853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-renner-blog"],"yoast_head":"\nSalone 2026 : le design revient au r\u00e9el \u2014 mati\u00e8res, imperfections et hi\u00e9rarchies de la couleur - Renner Italia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/renneritalia.com\/salone-2026-il-design-torna-reale-materiali-imperfezioni-e-gerarchie-del-colore\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Salone 2026 : le design revient au r\u00e9el \u2014 mati\u00e8res, imperfections et hi\u00e9rarchies de la couleur - Renner Italia\" \/>\n<meta property=\"og:description\" content=\"Le Salone 2026 marque un changement de paradigme : le design revient \u00e0 la mati\u00e8re, \u00e0 son authenticit\u00e9 et \u00e0 sa capacit\u00e9 \u00e0 g\u00e9n\u00e9rer de la valeur. 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